We don't claim to know everything so we encourage you to read about tango from some other sources!
Rochester Tango is a community of Argentine Tango dancers in Rochester, NY who originated as DancEncounters studio in 1997. The organization was rebranded as Rochester Tango in 2017 by the studio's young successors.
Our mission is to create a friendly and welcoming environment for all dancers. We are committed to teaching and spreading awareness and love of Argentine tango with the Rochester community. We focus on the social aspects of the dance and generally avoid teaching choreography or patterns. We aim to provide our dancers with the tools to create their own dance.
Steven began his journey into Argentine Tango in 2015, starting without any dance backround. He quickly fell in love with Tango, and began attending weekly lessons at DancEncounters with Barbara Warren and Alden Stevens, as well as attending the lessons and praticas at the RIT and UofR Tango clubs. As Steven's passion for Argentine Tango grew, so did his desire to study the technique, history, music, and culture of Tango, through the guidence of many professional instructors.
When he's not teaching and DJing in Rochester, he can be found dancing socially at Tango Festivals and Marathons all over the Northeast; everywhere from Cleveland, Boston, Toronto, Montreal, and Pittsburgh. Steven has also gained popularity in the Tango community as one of the highest demanded tango photographers, with photography that has been recognised all over the country.
As a teacher, Steven focuses on the elements of tango that are fundamental to the social dancer; the connection, embrace, and the walk. With a fascination with technique and body mechanics, he focuses on learning how to break down the movement to build a confident and elegant dancer.
Amalia Van Hall
Amalia was first introduced to social dancing in September of 2014 where she learned East Coast/Lindy Hop at Groove Juice Swing. During that time she picked up Blues/Fusion dancing and became a member of the Rochester Institute of Techology's swing dance club. In July of 2015 Amalia was introduced to Argentine tango and became a dedicated member of the Argentine tango community, attending weekly lessons through RIT and UofR's college tango clubs. In 2017 she started assisting in teaching with former organizer and lead instructor, Curtis Burtner, and Steven Thull. Amalia studied New Media Design and Marketing at the Rochester Institute of Technology and currently works full time in consumer affairs at Bausch and Lomb in Rochester, NY.
Curtis Burtner starting with ballroom dancing when he was 13 years old. In 2008 Curtis was inspired by guest instructor Richard Council to dedicate his time to Argentine tango. With his sister Alexandra Carcich, Curtis started the Argentine tango club at the Rochester Institute of Technology. Curtis spent the bulk of his time building up the tango scene through RIT and UofR's college clubs teaching weekly, performing, choreographing, and organizing other dance events. During his time as an organizer of Rochester Tango Curtis also travelled around building relationships with the other dance scenes around Western New York. During his 11 years of dancing Curtis also picked up Lindy Hop and Blues/Fusion dancing. He currently works full-time as a software engineer in Rochester, NY.
Argentine Tango is a social dance that originates from Buenos Aires, Argentina. After an economic rush in the late 19th Century, Immigrants from all over Europe travelled to start a new life in Argentina. Although there's not much documentation of how the Tango was created, we have a good image of the culture at the time. Many men, from many different cultures, whose promise of success in the economy failed them, created a melting pot of culture in the streets of Buenos Aires. Influences from African slaves, indiginous Argentinian and Uruguayan Folk dances, and European styles of dance, all came together to make the Tango. With the issue of men highly outnumbering the women, nostaligia, sorrow, and laments for lost love became a theme of the Tango, influencing the dance, and the music that evolved with it. Men would often learn and practice with each other, until they were confident enough to dance with a women, often in brothels and bars. This risqué dance became a staple of culture in Agrentina, first seen as a dirty dance for the poor, and then quickly accepted by the wealthy and elite with pride. By 1913, the Tango had made its way to Paris, where it became a phenomenon, and quickly spread all over the world.
Today, the Argentine Tango is still one of the most popular dances in the world. Though the Tango continues to evolve, it still carries with it a reverence to the history and culture of the men and women who danced it a hundred years ago.
There are several styles of Argentine Tango, including Milonguero, Salon, and Tango Nuevo. Within the style of Argentine Tango there are three styles of music, Tango, Vals and Milonga. Tango is identified by it's common 4/4 measure, vals by it's 3/4 measure and milonga by it's signature syncopated base rythm. DJs will order a tanda, or dance set, typically as tango, tango, vals, tango, tango, milonga. Cortinas are the "palate cleansing" songs played in-between dance sets that are not tango music or sound completely different from what was just played.
The Argentine tango is danced counterclockwise around the dance floor in what's called the "line of dance". It is usually frowned upon to stop for long periods of time or cut across the dance floor. The accepted practice for asking for a dance is called the cabaceo where a couple will make eye contact and motion to the floor. A couple will dance for a tanda, or set of 2-4 songs, which are broken up with a cortina.
A milonga is both a style of dance, a genre of music and the term for a dance party. Milonga dance parties are typically semi-formal events where teaching on the floor is frowned upon and code is more strictly enforced. Practicas are practice session where people go to give each other feed back and practice what they've learned. These sessions are casual and can either be loosely guided by an instructor or free form. A practilonga is somewhere in between a practica and milonga. It is run like a social dance but is more causal and code is loosely enforced. The sunday night milongas for Rochester Tango are typically run more like a practilonga.
Clothing for milongas are typically semi-formal and avoid restricting leg movement and allow the body to breathe. For women, skirts and dresses range from tight cocktail attire with slits to allow for a full leg extension or flowing skirts to hide the line. Harem pants are also worn. Tops are typically tight fitting and often have decorative or open backs. For men, italian cut pants or slacks are typically worn with a nice shirt.
Shoes make a huge difference in the dance. While beginners are fine in socks or anything they can pivot in, there are specific shoes created for tango that are different from ballroom or latin/salsa shoes.
Women, for practice, shoes should be practical with a short and well-built heel. They have to give enough mobility yet be a close fit so they would embrace your foot tightly. A leather sole if preferable for it allows pivots and gives one a good balance and stepping ability. For milongas women typically wear fancier heels. Heel heights and widths vary but a standard height is 3 inches with a 13ppt heel. Sandals and regular heels/pumps are often unfit to dance in as they don't have straps and easily fall off your feet or are not flexible. The heels on regular shoes are placed too far back and cause instability and the platforms on high heels are stiff and bulky.
Men for a practice or milonga shoe, find something that you can pivot in and is fairly flexable but form fitting is best. Many of our leads use character shoes, jazz slippers, or jazz sneakers. Please note that regular street sneakers have tread on the bottm making them unsuitable for dancing. Shoes that slid off easily are also very dangerous.